![]() For Ramin, the surprise factor was one of the things that also amused him in the curatorship, done in concert with the showrunner, Jonathan Nolan, who chooses the songs according to the scene and Ramin does the “redux” version, on the piano, before orchestrating it. We listen to classics like No Surprises ( Radiohead), Black Hole Sun ( Soundgarden), Paint It Black ( Rolling Stones), Back in black( Amy Winehouse), Seven Nation Army ( White Stripes), or even A Forest ( The Cure). The selection made by him perfectly matches the duality of the plot. Like with Radiohead‘s Fake Plastic Trees – even if you just take the title – with Westworld, what’s real? What is not real? You can interpret it in many ways,” the songwriter shared in a 2016 interview.Īnd that’s it. ![]() In the 1st season, the arrangements were practically “stuck” to the piano, but little by little they gained grandiose and original arrangements. From Radiohead to Amy Winehouse, the Rolling Stones, or Nirvana, it was a delight to anticipate and follow along. In the premiere season, the music from the cabaret on Maeve ( Thandiwe Newton) worked and gave us a lot of timeline hints, character feelings, and story possibilities. In a series whose tagline is about the senses: A dark odyssey about the fate of sentient life on Earth, the music really gains relevance. In addition to the original Westworld themes, each season the maestro works on rock covers that complement the plot and delight us at the same time. It’s a fascinating visual and intellectual journey, especially interesting for Ramin’s musical choices, deified by his iconic work on Game of Thrones. The series is based on the 1973 film, in turn, an adaptation of the book by Michael Crichton. In addition to the photography and interpretations, it was the series’ soundtrack that won the hearts of fans. ![]() Since its 1st season, composer Ramin Djawadi has been given a role as an indirect screenwriter for the (confused) plot of Westworld. ![]()
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